THE SPRAWLS
Gender can create a sensory experience of tangible and virtual borders, as well as conscious and unconscious ones. These spatial and cultural frontiers are essential points of reference for our…
Read MoreGender can create a sensory experience of tangible and virtual borders, as well as conscious and unconscious ones. These spatial and cultural frontiers are essential points of reference for our…
Read MoreDo we build an identity onto our bodies like a hermit crab builds a shell or do our bodies -and other bodies- force an identity onto us? Where do our…
Read MoreDo we build an identity onto our bodies like a hermit crab builds a shell or do our bodies -and other bodies- force an identity onto us? Where do our…
Read MoreImperialist and sexist systems of control are imprinted in the way society thinks about -and acts around- labor. Be it how we work, how we give birth, or how we…
Read MoreImperialist and sexist systems of control are imprinted in the way society thinks about, and acts around, labor. Be it how we work, how we give birth, or how we…
Read MoreArab Future Fiction: the Call for Interstellar Friend/Ship is a pretend manifesto, written as part of a performance created by Jassem Hindi and Keith Hennessy. The piece premiered at Kampnagel in…
Read MoreCOVEN BERLIN presented ‘I’D RATHER BE A GODDESS THAN A CYBORG’, a feminist queer art festival that featured the work of artists of various disciplines with a common focus on…
Read MoreCOVEN Berlin is excited to be featured in YFA: Young Feminist Artists, an exhibition that brings feminist art into the context of now through works by artists from various disciplines….
Read MoreCOVEN BERLIN presents ‘I’D RATHER BE A GODDESS THAN A CYBORG’, a feminist queer art festival that will present the work of artists of various disciplines with a common focus on…
Read MoreI experienced/participated in Louise Trueheart’s LOVEWELL during COVEN’s Feminist Conqueerors exhibition, and was deeply moved. The piece, performed one night only by Louise, Alicia, and Oliver, is a one on…
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