feminism

Meatspace – The Photos

Do we build an identity onto our bodies like a hermit crab builds a shell or do our bodies -and other bodies- force an identity onto us? Where do our…

ALI FITZGERALD – A VISUAL INTERVIEW

Ali Fitzgerald is an artist//writer in Berlin. She currently makes comics about a hungover bear for McSweeney’s and queer mermaids for New York Magazine. Ali gave us 9 visual answers to our…

What matters about matter? In the October edition of VULVA CLUB,f riendship-based collective female trouble hosted an evening around different intellectual notions of matter, material, and materiality. They drew from…

EUGENIA LOLI – A VISUAL INTERVIEW

Eugenia Loli is a filmmaker and a modern vintage collage artist. Before art took over her life, she was in the technology sector. Eugenia answered 9 verbal questions with 9 visual answers for our…

A TALK WITH SARAH SCHULMAN

This article is a response to a talk given by Sarah Schulman in Berlin on March 23rd 2015. The event was co-hosted by feminist collective Female Trouble and COVEN BERLIN….

GO LOVE YOURSELF

How do we learn how to love? Where? Who from? My school teacher would reply: “the guy is driving you crazy but just because he likes you! He harasses you,…

‘THE FREAK REVOLTS’ FREE WALKING TOUR

Learn about Kreuzberg’s history through this free walking tour of the Freak Revolts! On this free tour you will visit a number of sites and memorials which have served an…

A close up low-lit image of a person taken from below. The lighting highlights their chin, lips, and nose, and their arms and long armpit hair. Their arms are raised over their head, with one arm holding the other. Their eyes are closed and their eyes are in shadow. They are wearing bright red lipstick, and they have light skin and short brown hair.

SAFE SPACES FOR QUEER FEMME PHOTOGRAPHERS

Photography has often been said to carry with it a unique sense of democracy as an artistic medium, giving access to expression based on basic visual ability and tools rather…

WE NEED TO TALK ABOUT BIOPICS

The Iron Lady recasts an economic monstrosity as a victory for feminism. The coverage of the Iraq war recasts a quest for political destabilisation and profit as a victory…

HIDDEN PREDATORS

I am wary of self-proclaimed “feminist” men. I have seen them too many times, they come crawling out of the woodwork every time we raise a feminist issue: “I…